Archive | 3:48 pm

Stax Reissues “Black Moses” on Double CD

7 Feb

black-moses1

Long overdue re-issue of classic Isaac Haye’s 2-LP set.

A big thanks goes out to Stax/Concord for keeping this music alive!

Stax records proudly presents the reissue of Isaac Hayes’ epic 1971 album Black Moses, which captured the artist at the peak of his popularity. The release is a complete replication of the original Black Moses package, folding out into a cross-shaped image of the artist. The album was re-mastered from the original tapes. New liner notes are by Rob Bowman, the Grammy Award-winning Stax scholar and author of Soulsville U.S.A: The Story of Stax Records.

Stax Records was re-launched by Concord Music Group in 2007, the year of the legendary soul label’s 50th Anniversary.

Black Moses, a 14-song two-album set that will be reissued on two CDs, reached #1 on Billboard’s soul album chart and #10 pop, remaining on the charts for 40 weeks. Bowman describes it as “a wondrously crafted, intense evocation of the vagaries of love gone bad,” which Hayes himself corroborated: “I was going through some emotional turmoil. You can tell by the tunes on the album that I was going through a break-up of my marriage. It was the only way I could express myself.”

The album may be best remembered by its lead single, Hayes’ signature version of the Jackson 5’s “Never Can Say Goodbye,” which was on the radio months before the rest of the album had been completed. Other highlights include the Bacharach-David-penned Carpenters hit, “Close to You,” Toussaint McCall’s “Nothing Takes the Place of You,” the Curtis Mayfield-authored Gene Chandler hit “Man’s Temptation,” Little Johnnie Taylor’s “Part Time Love,” Kenny Gamble and Thom Bell’s Aretha Franklin hit “A Brand New Me,” Luther Ingram’s “Help Me Love,” Curtis Mayfield’s “Need To Belong,” the Whispers’ “Your Love Is so Doggone Good,” Kris Kristofferson’s “For the Good Times,” which had been a hit for Ray Price, Bacharach-David’s “I’ll Never Fall in Love Again” and the Hayes composition “Good Love.” “Isaac’s ability to take other people’s material and make it so deeply personal is nothing short of brilliant,” writes Bowman.

As the ‘70s progressed, Hayes adjusted admirably to the disco onslaught. On his exit from Stax, he released four albums in a little over a year (Chocolate Chip, Disco Connection, Groove-A-Thon and finally Juicy Fruit [Disco Freak]) while launching his career as a movie star in Three Tough Guys and Truck Turner. Hayes was loyal to his band members (known as the Movement) and many of them are featured on Juicy Fruit (Disco Freak) including drummer Willie Hall, keyboardist/co-arranger Lester Snell and guitarists Michael Toles and Charles “Skip” Pitts. Trumpeter Ben Cauley was a member of the Bar-Kays who survived the tragic 1967 plane crash that claimed the life of Otis Redding. Juicy Fruit (Disco Freak) is also one of the few Hayes albums written entirely by Hayes and includes several noteworthy songs including “Let’s Don’t Ever Blow Our Thing,” “The Storm Is Over” and “Music to Make Love By.”

Hayes’ unexpected death on August 10, 2008 at the age of 65 robbed us of future soulful treasures, but we can rediscover R&B classics like Black Moses and overlooked gems like Juicy Fruit and groove anew on his extraordinary musical vision.

http://www.concordmusicgroup.com/albums/Black-Moses-Deluxe-Edition-STX-31238-02/

Advertisements

Buffalo Springfield Drummer Dies

7 Feb

dewey3

Dewey Martin photographed during early days of Buffalo Springfield

LOS ANGELES (Hollywood Reporter) – Dewey Martin, drummer for the groundbreaking but notoriously feuding and short-lived rock pioneers Buffalo Springfield, was found dead February 1 in Van Nuys, Calif. He was 68. The cause of death has not been determined. Martin and his bandmates — Neil Young, Stephen Stills, Richie Furay and Bruce Palmer — formed the group in Los Angeles in 1966, carving out a unique sound that melded elements of country, folk and rock. Their first single, 1967’s “For What It’s Worth,” captured the zeitgeist of youth culture, touching on themes of community, paranoia and the generation gap and becoming a top 10 hit and rock staple. But that was the band’s lone national success, and its famously sparring members called it quits in 1968 after only three albums — none of which made the top 40. Nonetheless, the group heavily influenced the country-rock scene of the early ’70s. Martin played on all of the band’s songs, which also included “Bluebird,” “Mr. Soul,” “Rock ‘N’ Roll Woman” and “On the Way Home.” Its second album, “Buffalo Springfield Again,” ranked No. 188 on Rolling Stone’s list of greatest rock albums. The group was inducted into the Rock and Roll Hall of Fame in 1997. Martin attempted to keep the band’s name alive after its split, recruiting members for the New Buffalo Springfield. But lawsuits by Young and Stills prevented them from using the name. Bassist Palmer and Martin played the oldies circuit during the mid-’80s and early ’90s as Buffalo Springfield Revisited. Martin also formed other bands that failed to catch on. Young wrote fondly of Martin in his autobiography, “Sharkey”: “You get harder, he hits harder. You pull back, he hits back. He can feel the music — you don’t have to tell him.”